Erhu, a kind of traditional instrument of He is a typical Southern Chinese, short stature, gray hair. Every year, at Mary’s Thanksgiving party, I will see him.
Among the young guests, he and his wife are distinctive. They are quite listeners—most of the time, they are just sitting the couch and appreciating all kinds of performance conducted by the host: Chinese opera, folk songs and English jokes.
Until at the end of the party, when Mary, our hostess, introduces him and announces that there would be a big surprise for everybody, the people become quiet and turn toward him.
He seems a bit nervous—lowers his head and a flush showing in his face. After taking the instrument from a brown wooden box cautiously, he massages the tuning pegs—the main body of the instrument—gently, as if he is talking to an old friend wordlessly. He uses “neck," part of instrument, to scratch the inner string abruptly, and a screech resounds the spacious room. My body feels uneasy due to the acute piercing sound. But we still wait, waiting for an exiting moment.
The song he plays is a classical Chinese song, in which people praise the Jasmine flower for its purity and pretty, created by a Chinese composer in 1950’. At the first minutes, some notes out of tune distinctively, but soon, it backs to the right track. He is enjoying his performance at the moment.
Many years ago, he immigrates into America , living with his daughter. I have no idea how he spends his retired life in United Stated. Does he feel lonely here—a country in which people communicate with fluent English and influenced by western culture?
The only thing I know is that he is truly happy tonight, when a big applause swarm around him. His smiling face shows me that he has enjoyable moment at the moment –be appreciated by both Chinese and American on the spot.



